A Co-educational Independent School in Suffolk for ages 4 to 18

Gallery

Queen’s House – World Book Day

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Queen’s House – Eddie the Penguin

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Queen’s House 2016

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Queen’s House 2015

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Queen’s House Sports Day 2015

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Queen’s House Summer Concert

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Queen’s House Police Visit

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The Abbey 2016

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Jack Beanstalk & Snow White

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African Drum Workshop

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Battle of Britain

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The Abbey

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Cavemen

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The Abbey Show – Oliver

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The Abbey Sports Day

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Leavers Ball 2016

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Sixth Form Production – Metamorphosis

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Sixth Form

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Edinburgh Festival Fringe – Father Time

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Fashion Show

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General Election Hustings

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 Senior School 2016

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CCF Almanza Dinner 2016

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CCF Inspection 2016

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John Stafford Memorial Concert

Concerto Concert 2016 – Georgia Dawson

Concerto Concert 2016 – Rhiannon Humphreys

Concerto Concert 2016 – Isabella Pincombe

Concerto Concert 2016 – Tristan Hilger

Concerto Concert 2015

Gala Concert at Snape Maltings Concert Hall

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Please click here for Gala Concert’s clips.

The glorious space and grand acoustic of the Snape Maltings Concert Hall: it deserves the very best of performances, and it deserves to be full to bursting… Woodbridge School music and its many supporters made to measure!

Our Gala concert was a triumph. From the Swing Band’s opening chords it was clear that this was to be a special evening. To see the Abbey children in the audience bopping up and down in their seats with gleeful enthusiasm (and great decorum, of course) was fantastic: they freely expressing what we grown-ups were all feeling. Swing Band, Concert Band, Symphony Orchestra: solos and crescendos; familiar tunes interwoven with the less so; dances, grooves, fanfares and .. Les Misérables (always good for a bit of emotion). A stunning first half: match that, can you?

Well, match it we did in a sung second half repertoire which put a girdle round about the earth in a little over forty minutes. First The Abbey Chapel Choir scored a brilliant hat trick: precision, clarity and joie de vivre writ large. Then our guests from Germany, the Ahrensburg Youth Chamber Choir, brought an international flavour to their exploration of love and fellowship in song: French, German, American, Scottish and Welsh (well, Elton John). And finally all together with the Junior Choir and Choral Society – a chorus so large that the seats ran out! And what a dramatic finale it was: Tsunami Requiem – tragedy and hope; and Zadok the Priest to close and send us all into the night with our hearts full, ears ringing, and hands stinging from the rapturous applause. The entire concert was magnificent from start to finish.

Our thanks and congratulations to all the performers, to the many staff under John Penny’s leadership who helped them excel, and to the audience for its enthusiasm and support.

Metamorphosis

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What a breath-taking descent into the realms of the conscious and sub-conscious, of alienation within love, and of the collapse of reason.
In a staging as stark and uncompromising as the plot, and with a visceral nod to an unreal reality, the Sixth Form worked its magical spell (more Voldemort than Weasley) upon an absolutely enthralled audience.

Father Time

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Oh Hans, you should have listened. Was seven years’ stolen life worth an eternity in the souls of gamblers? And what about you, Godson to Father time, you should have listened too… though perhaps for you it was better to have loved and lost? Bitter endings to two tales so beautifully told: mesmerising, enchanting, and completely engrossing. Music and dance; song and speech; pathos and humour – Mr Williams’s retelling of The Brothers Grimm’s two tales captured with glorious clarity the hearts of the stories, and the cast brought to vivid life the words on the page. Sublime puppetry, meticulously planned set and costumes, and Kathryn Clements’s wonderfully subtle choreography added lustre to what proved to be a gloriously popular and successful show in Edinburgh, a show which gave a triumphant and equally impressive reprise on the home stage of the Seckford Theatre this week. Kick yourself if you missed it – and take a peek at the video trailer to rub salt in your wound. And for those of us lucky enough to have enjoyed the performance either side of Hadrian’s Wall? Well, for us, all it remains is to thank and applaud once again the cast, the crew, the directors and the author of such a magical show.

The Two Gentlemen of Verona

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Colour and movement, agony and ecstasy: the classic mixture of Shakespeare, Year 9, Williams and Mayes. Under a perfect sky in the heart of Suffolk a happy audience was transported to Italy and beguiled by love, loss, laughter, a hint of cross-dressing, a remarkably docile dog, and, in the end, a happy ending (of course).

Blue Stockings

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Jessica Swale’s play astonishes us for its portrayal of the hostility women encountered as they sought the right to graduate from Cambridge: lecturers and male undergraduates bullying or patronising their female contemporaries in turn; and one speech in particular as close to a litany of hate as one could imagine. So much for Trinity men – well, for that one anyway. But fight the women did, and with a passionate intensity brought to our stage uncut and crystal clear over one hundred years later. The horror was in the last line… that the right to a degree so fiercely fought for in 1896 was only won in 1948. Fifty years earlier, though, the cloistered world was full of an intellectual excitement (occasionally subverted by passions of an altogether other sort) that our performers captured brilliantly; blue stockings, white pantaloons, college scarves, paisley waistcoats and all.

The evening was a surprise and a delight from the start: a scene set through physical theatre, tweaked and altered with rhythmic grace, but most of all filled with performances of great merit, honesty and integrity to the spirit of the age and the importance of the themes. Tess, Celia and Carolyn may not have graduated; Maeve may well have raised her brothers and sisters into adulthood; Mayhew, Holmes and Edwards no doubt stood for parliament; Lloyd probably died on Everest (good riddance); Will, I hope, made good his promise to wait; and Miss Welsh, Miss Blake and Mr Banks won the war if not the battle, and for that society owes them eternal respect and gratitude.

Many, many congratulations to cast and crew, to choreographer and directors. Brilliant!

All’s Well that Ends Well

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